The 2025 Documentary Blows the Lid off the False Flag Attacks of 9-11
(Director's Cut)
An Amazing Contribution to 9-11 Scholarship by Brad Zerbo, a former skyscraper layout engineer and investigative journalist.
3 hours 15 minutes
Spoken in English
All the war games prior
In what many believe to be the "dry run" for 9-11, a military war game takes place on June 1-2nd, 2001 which uses remotely piloted drones to simulate an attack by Osama Bin Ladin. The war game features Unmanned Aerial Vehicles (UAVs) that are remotely piloted by a C-130 in the exercise, similar to what is believed to have happened on 9-11, where the original Boeing 767s were landed and replaced by other remotely piloted aircraft that were crashed into the WTC complex and Pentagon.
The documentary breaks down the incredibly suspicious nature of two different "art collectives" being given access to the WTC complex in the year prior to 9-11 where almost every aspect of their "art work" foreshadowed the attacks in another "funny Ha Ha" that will become a recurring theme of other "revelation of the method" mockery by the perpetrators of the attacks.
The first "artist collective" Gelatin/Gelitin
is also the name of a blasting agent used in controlled demolition. Gelatin/Gelitin team members were photographed in their "studio area" on the 91st floor (9-1) of WTC 1 in front of boxes of BB18 fuse holders. Their "art project" was called "The B-Thing" (Bomb Thing?) and their own drawings appear to show one of the towers collapsing. The project, coincidently, provided the excuse to rent a helicopter and survey the WTC complex prior to the event.
The 2nd "Artist Collective," The E-TEAM
(Franziska Lamprecht, Hajoe Moderegger, and Daniel Seiple), coordinated with tenants in the WTC complex to spell out the word "E-TEAM" (Explosive Team?) by using the windows between the 89th and 95th floors of WTC1 on March 29th 2001. Those floors would be, essentially, the exact same floors of the impact zone on the exact same side of the exact same building on 9-11.
In addition to the two art collectives having unusual access to the building, there was a suspicious elevator modernization going on where some of the most sophisticated elevators in the world were being modernized by a relatively unknown elevator company:
ACE Elevator, which won the contract from Otis Elevator, who had installed the original elevators. Investigators theorize that these three projects, and potentially others, gave the perpetrators access to the building, including the elevator shafts, core columns and service areas within the core of the building, required to wire up the building for the controlled demotion of both towers.
In one of the most potent pieces of evidence that I had never heard before, Director Zerbo breaks down the complete impossibility of the numerous cell phone calls from the passengers to their loved ones. In the case of stewardess CeeCee Lyles, whose phone call to her husband was recorded by their answering machine, there is no engine or background noise to indicate that she is on an airborne aircraft.
"Listen carefully...","It's a frame"
After telling her husband to "Listen Carefully," she relates the official story of the hijacking as if under duress.
Right before she hangs up she clearly whispers: "It's a frame." |
